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Never Underestimate A 10-Year Idea …

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I’ve known Janci for several years. When I first met her, I had no idea she was a writer, and then when I was informed of the fact by other people around me, I was quite pleased. Not many people top the cool charts the way she does! Like me, Janci writes in several different genres, and what I’ve read of hers so far, I love. She and her husband both do what they love for careers — at home. They are an example to me of following your heart and dreams. Today, I’ve invited Janci here to my blog to talk about her new book, EVERYTHING’S FINE, and how it has stuck around for over 10 years. I know this feeling well, since THE BREAKAWAY was one such similar book for me. Read on! Janci has some great things to say here!

Janci Patterson writes fantasy, science fiction, and contemporary young adult novels. Her first book, CHASING THE SKIP, will be published by Henry Holt in 2012. Janci lives in Orem, Utah, with her husband, Drew Olds. When she’s not writing, she manages Drew’s painting business, and plays geek games of all kinds.

I wrote the first draft of Everything’s Fine in 2004, so this book was ten years in the making. The idea started with this line: “So I stole Haylee’s journal.  We might as well get that out in the open right now.”  As soon as I had that line, I knew it was the beginning of a book. I experimented with it. Why does Kira take Haylee’s journal? What is it that she’s trying to hide?

Across years worth of drafts, a few things stayed the same, but more changed. It got sent out on rounds of submission several times, and always I discovered afterward that the book still wasn’t quite working. Many times I thought about giving up on this book — about just declaring it a trunk novel and leaving it alone. But inevitably as soon as I decided that, I’d have an idea for how to make the book better, and I’d rewrite it again.

Because of its long road to publication, Everything’s Fine is my most re-written novel to date, and anyone who knows me knows I’m not shy about rewriting novels. I started over from scratch at least three times, and heavily revised it dozens of times over. To give you an idea, here are a few of the more recent changes:

  • If you’ve read the book, you know that every other chapter is an in-scene flashback from a different point in Kira and Haylee’s friendship. Those chapters didn’t even make it into the book until January, when I pulled the book out and rewrote it yet again, this time with the intent of sending it to my editor. I was having a hard time getting the reader to connect to Haylee, since she’s already dead when the book begins.  Alaya Dawn Johnson suggested that I take all the flashbacks out of the book and put them in scene, and it turned out to be just what the book needed. So grateful for that critique. Without it, I think the book might have hung out in limbo forever.
  • Kira is now an only child, but from the first draft in 2004 to the first draft that my editor read back in February, she had an older sister who came for Christmas with her college boyfriend. I loved Lainie and Derek. They had a lot of awesome scenes. But in the end, Lainie’s scenes were taking away from the space I had to develop Kira’s relationship with her mother, which was much more important to the arc. So out of the book they went.
  • For a long time, Kira’s secret was that she had an eating disorder. Then I read Laurie Halse Anderson’s Wintergirls, and realized I wasn’t doing any kind of justice to that concept. Then I had to give Kira a new secret … and I did, but you’ll have to read the book to find out what it is.

I almost gave up on this book dozens of times, but now that it’s finished, I’m so glad I didn’t. I was ready to abandon it, Kira’s voice was never ready to abandon me. I think this is a book that wanted to be written. Who was I to stand in its way? It makes me giddy to see it finally done, and in a form that other people are getting to read. Kira’s character took a long journey with me, and getting to share her story is the best of all possible endings.

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Kira thought she knew everything about her best friend, Haylee. But when Haylee commits suicide immediately after her first date with her longtime crush, Bradley Johansen, Kira is left with nothing but questions, and a gaping hole in her life where Haylee used to be. 

Kira is sure that the answers to her questions must be written in Haylee’s journal, but she’s not the only one searching for it. The more Kira learns about Haylee’s past, the more certain she is that other people grieving for Haylee are keeping secrets—especially Bradley, and Haylee’s attractive older cousin Nick. Kira is desperate to get to Haylee’s journal before anyone else finds it—to discover the truth about what happened to Haylee— 

And to hide the things that Haylee wrote down about her. 

From the author of CHASING THE SKIP comes EVERYTHING’S FINE, a new contemporary YA novel about secrets and loss, and the winner of the 2007 Utah Arts Council award for Best Young Adult Novel.

Add Everything’s Fine to your Goodreads shelf.

Purchase Everything’s Fine on Amazon

Find Janci on jancipatterson.comFacebook, and Twitter.

Posted by Michelle D. Argyle in All Things Publishing, Guest Posts, Writing Process

Your Hero Sucks

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I met Ed online awhile ago, and was excited when he announced that his thriller novel, I’ll Sleep When You’re Dead, was going to be published by Black Opal Books. I’ve already got the book on my TBR list because if anyone knows me at all, they know I love a good thriller with some depth to it — especially depth that has to do with family relationships. And that’s exactly what Ed’s book sounds like. But Ed says his hero might suck, so read on to find out more of what he’s talking about. Maybe your hero sucks too? Somehow, I have a feeling this might not be the worst thing ever.

E.A. Aymar studied creative writing, earned a Masters degree in Literature and is a member of the Mystery Writers of America, the International Thriller Writers and SinC. He and his wife live with a relatively benign animal menagerie just outside of Washington, D.C.

I have a problem with my hero, the protagonist of my debut thriller I’ll Sleep When You’re Dead. He’s not very heroic. After his wife is murdered, he decides to seek revenge, and in doing so he places revenge over the importance of raising his daughter. This troubled me when I published the novel and, although the reviews have been largely cheerful, a few readers took issue with that aspect of his character. I understand their concern, even though it seems to me that any number of characters in literature and television choose duty (or perceived duty) over family. Still, though, I thought the critiques were valid, and considered them constructive – maybe the choice he made could have been presented differently, and that’s on me.

But it also touches another topic – heroes, and how they should be depicted. I wrote a thriller and, as a hopeful entrant to that genre, I had to take a long look at the typical hero of these books and what they tend to embody. The following excerpted review of the film Jack Reacher, based on Lee Child’s celebrated series, highlights some of the same issues I have with my genre’s typical protagonists. Note that I don’t share all of the author’s views; these are like my opinions, but on crack: 

Jack Reacher is the embodiment of a certain kind of narrow alpha fantasy. He is the best at all the things: the smartest detective, the best driver, the greatest fighter.… His mind works faster than anyone else’s; he sees patterns no one else sees. He is Batman without the silly costume. He is the entire A-Team rolled up in one, such that he can disappear like a ghost (though he somehow pulls his military pension each month), but will still walk into a room at the most dramatic moment, just after someone has said, “You don’t find this guy unless he wants to be found.

Naturally, being so exceptional isolates him in his noble loneliness…. In particular, he has no time for women, who only exist in his world as victims to save or to manfully mourn. For those who buy into the extremity of his excellence — for those whose suspension of disbelief rivals the suspension system of the Golden Gate Bridge — he’s a potent fantasy. But for everyone else, it can be tiring listening to subsidiary characters go on and on about him, or watching him stand three steps ahead of everyone else, waiting with annoyance for them to catch up.”

Like I said, I don’t agree with everything the author wrote, but she makes some good points. Genre writers rightfully bristle at the notion that their work isn’t comparable to literary fiction, especially with the assumption that plot twists and timing are more valued in thrillers than characterization and prose, but the archetype depicted above, when realized, doesn’t help. Still, though, it’s a bit of a quandary. We like James Bond movies, and find Bond fun, but the character depicted in the movie is decidedly not a complex person. And writing about a character without complexity is describing a corpse.

Happily, there are a number of writers in my field who create great protagonists: Meg Abbott, Chris F. Holm, Lawrence Block, Michael Sears, Lou Berney, Gillian Flynn, Kate Atkinson, and many more. And they don’t sacrifice prose or good storytelling to do it. If you want to learn how to write a good thriller or mystery, check out their work.

In the end, you want to make someone complex and believable without disappointing fans of your chosen genre. And you want to create someone compelling to you. The choices your character makes may trouble you, give you a sleepless night or two, and some readers or reviewers might find their actions disheartening. The trick is to keep the reader invested when that doubt surfaces, to keep them turning pages even faster when their devotion shakes. You know you won’t satisfy every reader, but that’s okay. You want to be a good writer. You want to create a good character. You want readers to believe.

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Tom Starks has spent the three years since his wife’s murder struggling to single-handedly raise their daughter, Julie, while haunted by memories of his dead spouse. When he learns that the man accused of her murder, Chris Taylor, has been released from prison, Tom hires a pair of hit men to get his revenge. But when the hit men botch the assassination of Chris Taylor, Tom is inadvertently pulled into their violent world. 

And now those hit men are after him and his daughter.

Add I’ll Sleep When You’re Dead to your Goodreads shelf.

E.A. Aymar’s debut thriller, I’ll Sleep When You’re Dead, was just published by Black Opal Books. To learn more about I’ll Sleep When You’re Dead, and to watch the animated trailer, visit www.eaymar.com/novel

Purchase I’ll Sleep When You’re Dead on Amazon, B&N, or Black Opal Books.

Find E.A. on eaymar.comFacebook, and Twitter.

Posted by Michelle D. Argyle in Guest Posts, Writing Process

Sneak Peek — Catch

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When eighteen-year-old Miranda chases a purse snatcher on the Las Vegas Strip, the last thing she expects is for the pursuit to turn into an extended game of hide-and-seek. All Miranda wants are the old black and white photographs buried at the bottom of her purse. They’re the only things she has left of the grandmother she never knew. But how much is she willing to put on the line to save them? And is it possible she’s falling in love with a thief?

My friend Natalie Whipple calls Catch a mini book. I like the sound of that! It’s not as pretentious as the term “novella”, nor as dismissive as “short story”. Whatever you want to call Catch, it’s 20,000 words (most novels are at least over 50,000) and you can probably read it in less than two hours if you’re not interrupted — longer if you’re a slower reader, of course.

So, want to know some stats about Catch? Here goes!

IDEA

I honestly can’t remember how I came up with the idea for Catch. All I know is that I wanted to write a short story and publish it on my own. This happened before my publisher informed me that they were closing their doors. So, although it may seem I decided to publish Catch out of nowhere once I made the announcement that I would be publishing all my own work, I had actually started writing Catch long before that, and had discussed with my publisher that it would be an independent project.

Since Catch takes place in Vegas, the idea of games is prominent. It’s one of the reasons I was so excited to write the story. Falling for a guy amidst all the chances of winning and losing? Winner!

TIME

I started writing Catch the middle of August and finished it in fourteen days. I think the only reason I finished it so quickly (for me, anyway) is because I started on the day my daughter began first grade. That meant she would be in school for six hours every day, giving me plenty of time to work! And work, I did. I received a bit of feedback for the story from one reader, did revisions, and then sent off the story to my editor. Edits went super fast because the story is short, and soon we were into copyedits, proofreading, and layout. Yay! Overall, from start to finish, Catch was conceived and published in 25 days. I definitely plan to do more “mini-books” like this in the future.

EXCERPT

Want a little peek inside Catch? Here’s a scene from the middle of the book. Miranda is in the midst of communicating with the guy who stole her purse. He’s made a deal with her that as long as they play hide-and-seek, he’ll return something of hers from the purse. Of course, all she really wants is the photographs of her grandmother she left in the purse, but Ollie isn’t about to give those up since playing the game is just too much fun.

'Click Here to Read the 'Catch' Excerpt'

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Posted by Michelle D. Argyle in Books, Catch

Bonded Book Club Visit

Bonded; Three Fairy Tales, One BondOn Wednesday night, I went to a book club run by my friend Ilima Todd. It was her month to choose the book, so she chose Bonded, which makes me feel all sorts of special. Thanks, Ilima!

I’ve done a few book club visits now. I think this was my fifth visit, but the first one I’ve done for Bonded. I was a little worried about how it all might work with three different books. Would it be too much to discuss all of those? Turns out several readers didn’t have the chance to finish all three books, but it was still easy to have a great discussion. Everyone was so kind, even when we discussed things not everyone particularly liked. Mostly, the discussion revolved around questions everyone had about the characters or the plot. What I find most interesting is that these questions are ones I’ve heard time and time again (especially when Cinders was first published). It’s fascinating because readers seem to gravitate toward the same issues every single time. At first, I worried this is because I’ve done something wrong in my writing. Did I not spend enough time on certain aspects? Did I leave a few things too vague? Did I do it all WRONG? (That’s like my greatest fear, ever, mind you).

I’ve realized over time, though, that I haven’t written anything wrong. As I’ve discussed before, there are no right answers. Everyone brings different things to a novel when they read it, but that’s why it is so interesting how different readers ask me the same questions over and over. To me, that means I did something right. The story I’ve written obviously begs different questions and different themes that make a large group of readers stop and think about those same things in a critical way. It’s more than entertainment, and that’s something pretty great.

I think attending book groups is one of my favorite things to do as author. It’s not because attention is focused on me and my book. It’s because I get an insight, in person, how my book has affects readers. I’ve heard the highest praise in these book groups and the harshest criticism. I’ve grown a lot because of it. Wouldn’t trade any of it for anything! Book clubs are awesome. I don’t belong to one, but someday I might. Do you belong to one?

Posted by Michelle D. Argyle in Bonded, Books

Bonded Launch Party at The King’s English Bookstore

First, a suspenseful story.

I live about 40 minutes away from the bookstore that hosted me for my launch party. There’s a stretch of freeway between me and Salt Lake City, which means I was looking forward to a nice drive with three friends. Forty minutes of talk-time isn’t anything I’ll ever complain about! Unless, of course, I almost hit a deer on the freeway while we’re talking. It was rolling across the road, apparently just having been hit by a car. I was barreling along at about 68 mph, when my friend in the front seat pointed out that something wasn’t right up ahead (note, “up ahead” means, like, a split second up ahead). Since about six years earlier, I ran over (it was lying in the road, just hit) an entire elk on a backroad on my way to work (in a sports car, mind you), I had that flash through my head as my brain recognized the deer flopping across the road ahead of us. I swerved because I was thinking there is no way I’m running over a huge freaking deer again. I think my brain registered there wasn’t a car next to me, otherwise, I would have caused a nasty accident. Later, we learned the deer did cause a four-car pileup. Probably the people right behind us. I am very lucky to have missed the deer and not hit another car at the same time. Very lucky.

So that out of the way, we made it to my launch party right at the starting time, thank goodness! We could have all been in the hospital, but for the next three months, I’m thanking God in my prayers for keeping me and my friends safe.

The launch party itself was a fantastic, super, amazingly wonderful success! I wasn’t too nervous, I had fun reading my excerpt, and two of my good friends came dressed up as characters from the book. My six-year-old was well-behaved, and even asked a cute question during the Q&A section. There were a lot of people in the signing line (I consider it a total success if at least one book sells!), and I had so many friends and family show up, I went home with tears of gratitude in my eyes.

I want to thank every single person who came, and a huge thank you to The Kings English for hosting me! A launch party is a celebration, and that is exactly what this felt like.

Thank you to Janci Patterson and Lisa Shafer for most of these pics!

Posted by Michelle D. Argyle in Bonded, Books

The Post-Revision Antsy Blues

So I’m not really into post-revision on Pieces yet since I’m waiting for two more readers to get me feedback, but after getting feedback from my other readers, and doing major slit-my-wrist revisions on the book, I’m sitting here staring at my computer and wondering what the heck to do with myself. I’m antsy. I’m nervous. I’m hungry, but I don’t want to eat. My brain feels like it was a rubberband all stretched out and then somebody let go. Now I’m lying on the floor, helpless. I’d watch a movie, but I’m too antsy. I’d read a book, but I’m so tired of reading after reading through my book like five times, forward and backward and up and down. The worst thing of all is that I’m exhausted. I’ve been exhausted for a long time now because when I do revisions, I DO REVISIONS. I don’t do anything else. I don’t do laundry. I don’t cook (much). I don’t clean (much). I don’t sleep (much). I just revise until I make myself sick, which I’ve done.

Does anyone else get like this?

Also, let me clarify what revisions are. Jennifer Hubbard did a great post about what revisions are for her. She sums it up better than I can.

As Jane Lebak notes, this is about more than fixing commas. This is about deleting entire scenes, moving chapters around, writing new scenes. Bringing in new characters, or getting rid of old ones, or merging two characters who have too-similar reasons for being in the story. Changing the plot: changing what happens or when or in what order. Chopping unnecessary pages from the beginning, or the end, or even the middle. Introducing new subplots. Jane Lebak discusses the most thorough kind of revision: the rewrite that starts from a blank page. Sometimes it does come down to that.

And, yeah, I’ve done the rewrite that starts from a blank page before. More than once. Thankfully, this book does not need that extensive of revisions. I’ve restructured and rewritten and added and deleted and shuffled stuff around. Now I’m onto the line stuff, and then a final read-through for copyedits. Then it all goes to my editor and I get to do all of the edits she sends to me. Then more copyedits.

I guess all I’m saying is when people ask me how hard it is write a book, I honestly don’t even know where to start. It’s definitely a job that goes beyond the mind. It’s physical too. Revisions, for me, are the equivalent of running a marathon. I’m pretty sure I end up burning as many calories.

The post-revision antsy blues get me every time. Like my friend Becca said to me, last time this happened to her, she sat in her office chair in the middle of the room and just spun around forever. Sometimes that’s all your mind can handle! I really just don’t know what to do with myself while my brain gets back to normal. Yoga. Maybe some yoga.

Posted by Michelle D. Argyle in Books, Pieces

Daily Dish Utah | My First Experience on TV

As I spoke about earlier, I was invited to interview on Utah’s Daily Dish show, hosted by Good Things Utah. Nicea and Brianne were wonderful hosts, and I felt at home and comfortable. Let me just say that I wasn’t so nervous to actually talk on television as I was about everything surrounding it. First of all, I was only given two days’ notice, and second, it’s in my nature to worry about little details when it’s something new. I worried about directions and driving and parking and getting into the right place. I worried about what to wear, how to do my hair, which jewelry to pick out, which shoes to put on, how I would answer the questions, etc. On and on. I honestly don’t know how news people do this every day! But then again, it’s not in my blood to just do this sort of thing as a career. But I suppose being an author, you have to have to have some level of comfort-zone with being in the public eye.

My dear friend, Alicia, offered to drive me to Salt Lake City to the news station building, and another friend offered to watch my daughter all morning. So a huge thanks to these two! My poor hubby had to work. I wish he could have been there.

All in all, this was an amazing experience and a wonderful opportunity not to pass up. I had the chance to talk about my work in a professional time and space, and I am honored to have done so. I don’t know if doing this will garner more sales, but that certainly isn’t why this was such a wonderful opportunity. I realized something important today during this interview—in the end, it does not matter what kind of “level” I see myself at in the publishing world, because I often see myself as inferior for so many reasons. But all that really matters was the two lovely hosts interviewing me were genuinely excited about my book and the story it tells.

My friend Alicia took me to a lovely bakery in downtown Salt Lake. I bought some cannolis, my favorite pastry. And we had some breakfast since I was not able to eat before the interview (I was too nervous!) It was an exciting morning and then a relaxing breakfast.

A huge thank you to ABC-4 and the hosts at The Daily Dish for interviewing me today!

To watch the interview, CLICK HERE.

Posted by Michelle D. Argyle in Books, The Breakaway

How to Stand Out in a World Crammed With Books

Color me surprised. Overall, The Breakaway did so much better than my other books in the first few selling weeks. I think it’s a combination of factors – the first being that the book hits an apparently huge niche market for young adult and adult readers who love kidnapping/captive/Stockholm Syndrome books. I had no idea such a market was out there for this genre, but it’s big. And it’s also picky, I’m finding. This specific niche market loves a certain type of ending, I think, and The Breakaway messes with that type of ending. So I’m really not sure how well it will keep doing. I have no idea. The other reason I think The Breakaway did so well (and will hopefully keep doing well) might have to do with the marketing tactics my publisher took – several that they did not do with Monarch because they hadn’t explored those avenues yet. But Monarch is also adult and a thriller and not really a true thriller, at that. Other reasons for The Breakaway’s success might also have had to do with the fact that it is young adult, the cover people seem to love, marketing tactics I took, or, well, sheer dumb luck.

So all of this one-book-doing-better-than-another thing has me thinking about a lot of publishing points. I have asked myself if I would be as jazzed about publishing more books if The Breakaway’s sales had been the same as Monarch and Cinders in their first few weeks. I worry that I question too many things. I worry that the sheer dumb luck I mentioned above is a bigger factor in all of this than I’m willing to admit. Because, honestly, that’s what it seems like at this point. I did less marketing for The Breakaway than any of my other work. I cared less. Maybe that was important. Or maybe it’s because I have other books out and I’ve built more of a readership. Maybe it’s because I’ve focused more on marketing to readers than writers. Who. The. Heck. Knows.

And I walk into a bookstore and realize that all the books on the shelves are like .0000001% of the books out in the world, and I get short of breath and realize that my books are only a tiny speck in the huge cosmos of stories out there. How … I ask myself … how in the world will I ever make it? How will I ever stand out in a world crammed with books?

My answer to that is: I already do … in certain people’s worlds. And that’s what matters.

But … I don’t write to take over the world in general (hahaha, if only), and I don’t write to stand out everywhere, and I don’t write to be on every shelf in every bookstore, and I don’t write to please everyone, and I don’t write just to make money and sales. I write because I write and want to keep writing. And the small, beautiful success I’ve seen with The Breakaway is a happy perk and something special I treasure right now. But quite honestly, while all those sales will always be awesome, they do not feel as poignant as that first sale I made on my little self-published book, Cinders, when I felt even smaller than I do now. And that’s what makes me stop and think. I look at the authors I love and wonder how small they feel, even if they are big in the publishing world. I wonder if I will always feel insignificant standing in a bookstore or sifting through hundreds of books online.

And I sit here and fret and worry about my next full-length book, Bonded, and how it will fare compared to The Breakaway in its first few weeks. So far, each book I have put out has done better than the last, but I am not sure I can top The Breakaway, and that scares me because beyond hundreds-of-thousands of dollars I don’t have to spend on marketing, there’s not much me and my publisher can do beyond what we have done for my other books. At least so far. I am sure my publisher will keep surprising me with their brilliance in marketing! And I know it’s not always about “the first few weeks” … it’s often how your books do overall over a long period of time, but still, the beginning can say a lot.

Everyone says Bonded will do amazing, but I have my doubts. Bonded is completely different, and it’s a collection and fantasy/fairy-tale based. Is that market as big as the market for The Breakaway? The first novella in Bonded has a controversial ending. The second novella, Thirds, is happy, but will people keep reading after Cinders and all the punches I pull in there? Perhaps not. The third novella, Scales, is far from a happy ending, and it’s my very favorite, like a piece of dark chocolate I think should be savored. Some people hate dark chocolate.

I guess this is enough rambling about all my worries and fears. It all reminds me of a post I wrote last year right before Monarch came out. I had cold feet, but I came to a conclusion I need to remember now. I need to staple it to my forehead: So bring on the cold feet. I know I’ll still worry and fret as the release date grows closer, but for me, the best part of the book has already happened – the fact that I finished and got it to a place where I’m 100% happy with it. Nothing will erase that. Ever. Remember, published or unpublished, you are a writer, an author, and a creative person who strives for the ultimate goal of creating something you’re proud of. Don’t ever let the little publication tag get in your way (and I need to add here that sales numbers should not get in your way either), because it doesn’t change anything in the end. It only overshadows the best part.

In the end, the only thing to do is write your next book, and at the end of the day, I’m pretty happy with that. So I’m going to go work on my next book and stop worrying.

Posted by Michelle D. Argyle in All Things Publishing, Books, The Breakaway

A Sequel for The Breakaway?

michelle-d-argyle-the-breakaway-coverEver since I first wrote The Breakaway years and years ago, I have had friends and family interested in knowing more about how it might end beyond the conclusion I gave it. If you haven’t read the book, the ending is bittersweet and not what you might expect, so I think a lot of readers get very attached to the characters and want some more wrap-up with them at the end. For me, the ending does wrap everything up, but there is definitely more that could happen.

Since The Breakaway’s release, I’ve received dozens of emails and tweets and FB messages asking about a sequel for the book. At first I was a little defensive because I kept thinking that maybe my ending wasn’t enough for people. They were disappointed or it wasn’t written well. That may be the case for some readers, I imagine, but the more I’ve thought about it and talked to my publisher, I’m seeing that it’s more because readers enjoyed the story enough to want more.

Now, I’ll be the first to admit that there are very few sequels I enjoy, and so far in my writing career, I have had no desire to write a sequel to any of my stories. But with The Breakaway, I have always had in mind what happens to Naomi and Jesse  beyond the ending I give them in the novel … I’ve just never really shared that with many people, and honestly, over the years I’ve altered what has happened in my head. First it was a tragic ending, then very happy, then bittersweet again. The fun thing about writing is that while you have control over the story and your characters, it’s not always as much control as you want to admit. I’m the kind of writer who allows the story to control itself and guide me, the writer, to where it needs to go. The Breakaway has definitely taken its own course.

Because I’ve always had in mind how The Breakaway expands beyond its current borders, I am quite open to sharing that expansion with others. The question is how do I want to share it? The more I’ve thought about it, the more I’m comfortable with writing a long short story or novella and sharing it with fans. At the moment, my publisher is open to this idea as well, although the idea may not be cost-effective for them. In that case, other options for publication are available.

Now that I’ve rambled long enough, if you are a fan of The Breakaway and are interested in a somewhat unconventional alternative to a “sequel”, make sure you sign up for my newsletter so you’ll be updated when and if this short story will be released. I’ll be open right now and say that it will probably not be available until 2013 because I have to finish my current novel before I can begin anything else. Good things are worth waiting for, right?

Posted by Michelle D. Argyle in Books, Pieces, The Breakaway

What It’s Really Like on Release Day

Today is a big day for me, but in reality, it’s not a big day at all. It’s a big day in my mind. My novel, The Breakaway officially releases. It’s a big day because for most authors, any day their book releases is a big day. Some authors have big launch parties. Some go on tour. Some hit the NY Times bestsellers list that same week. Most, like me, don’t really do anything except write a few tweets and FB posts and a newsletter announcement to announce the book. I might go out to eat or something. Most of the work I’ve put into my blog tour is already finished and it’s simply up to the people involved to post their reviews/interviews/posts.

The truth is that unless you are some really cool exception, your release day is pretty darned quiet. Most launch parties and tours happen after the fact, and most people won’t read your book until after it’s out. So while there may be a little bit of hype on that huge release day (special thanks to anyone who helps spread news about the book today!), I’ve found that any time a book of mine is officially out there, it always feels a bit anticlimactic. This is silly since I don’t expect much anyway, but I think it feels that way because it is a HUGE FREAKING DEAL in my head. So big that fireworks should be going off. A novel is a deeply personal, blood-sweat-and-tears project. It should feel like a huge deal. It is a huge deal!

But in publishing, it seems, it’s rare for things to happen all at once, especially on one day. Traditionally publishing is a painfully slow business. There is so much waiting, waiting, waiting, for everything. There are little spikes of excitement, I’ve found, but they rarely snowball into anything super-exciting. It’s like, WAIT. WAIT. WAIT. WRITE. WRITE. QUERY. SUB. SUB. SUB. SUB. WAIT FOREVER. WRITE. WRITE. WAIT. Agent! Book Deal! Publisher! WAIT. WAIT. WAIT. TRY TO WRITE. WAIT FOREVER. Cover! WAIT. WAIT. WRITE. WRITE. WAIT. WORK. Edits! WAIT. EDIT. WAIT. EDIT. WAIT. More edits! WAIT. EDIT FOREVER. WAIT. WAIT. WRITE. Blurbs from Awesome Authors! WAIT. WAIT. WRITE. WAIT. Oh my gosh, I get to hold my book! WAIT. WAIT. WAIT. WAIT. WAIT. Release day! WAIT. WAIT. WAIT. WRITE. Oh, look, good reviews! My book on a shelf! WAIT. WAIT. WRITE. WRITE. SUB. WRITE. SUB. WAIT FOREVER. Another book deal! And then we start over. Of course, individual mileage may vary for every author, but my point is there is a freaking ton of waiting.

And, honestly, so many of those exciting things get buried in all that waiting and writing that I often tend to forget them and what they were like. Keeping a journal with lots of exclamation points is helpful. I think the biggest highlight for me is getting my book delivered to me, and I finally get to hold it, touch it, read it. For me, then it is real. I don’t think I’d fare well with eBook only. It’s so intangible. So getting my physical book is probably one of the most exciting things – even more than release day. Getting my final cover is also very exciting and memorable.

But…I’ve said this before, and I’ll say it again and again. Nothing beats the excitement of finishing the first draft of a book or a very long and intense revision. To me, that’s why I keep doing any of this and endure through all that waiting. And nothing beats receiving an email from a fan you have never seen or heard from before, or even fans you do know, telling you how much they loved your book. Magic, I’m telling you. People reading your book, especially years after it’s released, is magic.

Posted by Michelle D. Argyle in All Things Publishing, Books, The Breakaway