Month: July 2011

The Whole “Self-Publishing Surge” Is Not New

When I stopped writing after college, there was a five year break where I didn’t write anything except one poem. That really depressed me. I was afraid my Muse had packed her bags for good and that I would never write again. Five years is a long time not to write. That’s a pretty freaking long break. I was going a bit insane –  not because I was trying to write and couldn’t (I was newly married with a full-time job), but because I didn’t have an outlet for my creative energy. My job was far from demanding creative energy. So what did I do? I bought a camera and started taking pictures.

Ah, photography.

My pictures sucked at first. They were awful, but my brother who was taking photography classes in college at the time helped me out. He taught me the basics and I started delving into the fantastic world of light. It was amazing and I fell in love. I learned photography using film. I believe in starting with the very basics and moving up, and after a few years my photography blossomed. My favorite became portraits, and I was excited to open my own business and start making money!

Then everything came to a screeeeeching halt.

Turns out I wasn’t the only young working female in my state who thought, “Oh, when I’m staying at home with my young children I’ll open up a photography business and that way I can make money from home and do something I love.”

Turns out everybody had the same idea because, well, all of a sudden good photography was becoming cheaper with the rise in affordable digital cameras. Quite frankly, it pissed me off to no end. My career idea seemed like it had been shattered. Everybody around me wanted to be a photographer all of a sudden. Everybody had the same idea as me, and it was unfair and terrible because the better I got the more I could see that I simply couldn’t compete with the hundreds of other photographers around me. I didn’t feel their quality was as good as mine, but their prices…well, their prices were way lower than mine and when it comes to where I live, people are cheap so they usually choose the cheaper price over the higher quality. Where did that leave me? Frustrated and angry because their was no way I was going to lower my prices for the amount of work I put into my work. NO WAY.

So where did this lead me? I’m happy to say that it led me back to writing. After five years my brain was getting back to the point where writing seemed more doable. One cold day in February I’d had it. I was tired of doing the same thing over and over and over and over at home with my 8-month old. I was just done. My husband came home and I said, “Honey, I’m going to write again.” He had no idea what I meant by that…

Needless to say, I dived in headfirst and it took a full two years before I was back up to par where I’d been in college, and then even longer to get my fiction to a point where I truly thought it was publishable. Now, years later, I’m looking at my photography experience in the same exact light as the self-publishing surge in the writing world. With the rise in e-books and digital publishing, getting a book out there for sale is more doable than ever. It’s almost exactly like the problem professional studios have come across with amateur photographers and their super-low prices. Suddenly business is spread out more and consumers are going elsewhere to get their products – even at “lesser quality” – and oh, yes, we can argue up and down which is better quality in both worlds.

It has been a bit frustrating to me to have worked in two fields where it feels like there’s a bit of “undercutting” going on. However, I’ve been a part of that undercutting in both instances. In photography I was an amateur charging less than big studios, but producing quality product, and now in publishing I’ve self-published my own novella, Cinders, and been part of that whole “self-publishing thing.” Now I’m in with a legacy (traditional) publisher, however, and I’m seeing both sides of the fence. Needless to say, it’s interesting. Also, I have some very good friends who don’t have big photography studios, but they produce quality work at affordable prices.

I think there’s a place for everyone, honestly, and I think it’s a wonderful thing that people who couldn’t get into things before because of cost can now have a chance. I certainly wouldn’t be where I am today if it weren’t for those opportunities.

Anyway, what I’m saying is that the surge in “doing-it-yourself” ideology is not new. I have found my own niche back into photography by doing things on the side. I am frequently hired to work on book covers or designs for clients, and I still work at improving my photography whenever I can even though it is not my main focus. I think that all of us can find our own places (even large traditional publishers) if we employ our creativity wisely. We don’t all have to be scrambling for the exact same thing.

Posted by Michelle D. Argyle in Self-Publishing, 14 comments

My Little Revision Secret

I guess this won’t be a secret any longer!

I’ll admit that drafting a novel is not my favorite part of writing. My favorite part? Revising! I truly love it more because drafting always feels like squeezing blood from a stone for some reason. I love working with clay more than I love making the clay, I guess. That’s how I view it.

Currently I am working on my novella, Scales. It’s hard for me because it’s in the drafting stage. New world, new characters, new plot twists, new everything. And dragons! That’s the best part, of course. I love this book. It’s fun, but draining on so many levels, and I haven’t even reached the dragon part yet. Sigh.

When I get too exhausted to draft, I turn back to revising/editing/tweaking my novel, The Breakaway, which is due to my publisher in September. So, you may ask, what is this little revision secret of yours? I’ll tell you! I used to print out my drafts on paper. It was such a pain. Now, when I reach this very, very last point in my revision stage before turning a book in to my editor, I print it out using Lulu – a self-publishing site. It’s pretty simple to format the book and design a cover (although you don’t have to do anything fancy for the cover if you don’t want to). This way, I have an actual printed book. It’s incredible what I catch reading my work this way. It’s even better than on my Kindle. I can write directly in the book, too. Notes and scribbles and arrows and all sorts of junk. Can’t do that on my Kindle. I still have my copy of Monarch that I did this with before publishing it.

You might be saying, well, I don’t want to self-publish my book! But Lulu lets you keep everything private, so you can order one copy of the book and be done. Sometimes I send these copies to trusted critique partners. Lulu is more expensive than any other self-publishing site I’ve seen, but they are so easy to use, and it’s quick and easy to order a manuscript for editing. Plus I can keep the margins nice and big for lots of writing.

There’s something about holding my book in this form that helps my brain get into the – “this is going to be published soon, so you’d better make all the necessary changes NOW” mode. I think this is a good mode for any writer to get into if they’re about to send their book out for querying, submissions, anything of that sort.

To give you an idea of price, The Breakaway cost me $8.70 to print, plus shipping (usually $3 something). Monarch cost me $10.58 to print, but it was way longer than The Breakaway in draft form.

Anyway, that’s my little secret. It has been fun to keep these marked-up copies on my shelf, and it sure makes editing a lot easier for me. I only do this in the last stages, though. I couldn’t afford to do this for every draft. I use my Kindle and my laptop for those.

Posted by Michelle D. Argyle in Self-Publishing, Writing Process, 33 comments